georgeoates

It’s Nice That

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Jan 172013
 

Nice indeed for our watercolor maps to be included in the It's Nice That 2012 Annual. It's even nicer to receive a hard copy of the beautiful Annual in all its glory, and to see our work nestled amongst gorgeous, creative, dynamic work from around the world.

It's Nice That 2012 Annual It's Nice That 2012 Annual

There's always a lot of discussion about the future of our cities and this year was no exception with various fads hailed at one time or another as "The Future." But San Francisco studio Stamen have pretty much nailed how best to bring us closer to our urban environments - show us them in watercolours. Their city-tracking mapping project saw them render various cities in this eye-poppingly gorgeous watercolour tile, an undertaking of huge skill and patience but more worthwhile when you get the chance to look around your own transformed street. Technically masterful and aesthetically stunning - that's a combination we've got a lot of time for.

A couple of my personal favourites from the rest of the Annual include Lauren Marsolier's lovely constructed, fictional places and the "The Show That..." series including works by Jeremy Deller and Katharina Gross.

It's Nice That 2012 Annual It's Nice That 2012 Annual

Watercolor New York, 20×200

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Jul 192012
 

by George

We're pleased to announce our second collaboration with Jen Bekman's 20x200, releasing gorgeous prints of New York City today, and London shortly. There will be more cities coming over the next few months, so please stay tuned!

It was a nice sidestep to work with the maps at high resolution, and on paper. We also played around a little with the zoom and detail level for the various print sizes. It's dizzying how much information we can show on the 30x40 prints!

10x8 - SOLD OUT!

14x11

20x16

40x30

New Work: 2012 NewNowNext Awards

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Apr 212012
 

I still remember those long lost days when an "interactive website" meant a site that had a mouseover effect on the navigation bar. How far we've come. Working with the fantastic, bold branding, we created a Twitter Tracker for Logo TV's 2012 NewNowNext Awards that aired on April 6.

Image of the host and performers at the 2012 NewNowNext awards

screenshot of the twitter tracker site

The animations on the site are crazy interactive:


2012 NewNowNext Awards Twitter Tracker from Stamen on Vimeo.

As we watched the show unfold, and the tweets get tweeted, it was super fun to see the NNN community rally around performers they like, and start to use the tracker to bump up attention.

Congratulations to all the winners, and to all the Tweeters who pushed their favorite stars into the coveted #1 spot!

Stamens Out & About

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Feb 222012
 

This past January saw the first meeting of ConvergeSF, which hosts events to explore the intersection of design, art and technology here in San Francisco. Stamen's resident mathematician, Rachel - (how cool is that?) - presented along with Doug Winnie from Lynda.com.

After many years of working in Flash, Stamen has been steadily moving towards a HTML5/JavaScript toolset for mapping and visualization. In her talk, Rachel outlined some examples of best work sans Flash, explaining how JavaScript is more effective than Flash in a lot of ways, but still catching up in others. Here are the slides from her talk.

And while slides are a good record of the main points of any talk, I wanted to hear more directly from Rachel, so I asked her a few questions to follow up...

George: What do you think is the main reason people have moved away from Flash over the past few years?

Rachel: I think that there's a couple of different reasons: Apple stopped supporting it, which became a huge push away from Flash and into JS. Talking with other people who used to work in Flash, it was almost as if Flash was becoming a bit of a dead end. It wasn't being actively improved or developed - it was more or less static on all platforms. Javascript is just much more flexible.

G: What's your favourite Stamen HTML5/JS project?

R: My favourite pet project is the European Music Awards [Twitter Tracker].

On site at the EMAs!

G: Is that because you got to meet The Hoff?

R: Yes.

[The EMA site] is the nicest thing that I've made here at Stamen so far. One of the major hurdles that we've had is getting the motion to work as well as it did in Flash. I think that the EMA site was great in terms of creating constant ambient motion that was interesting and fluid. The animations are short enough to be interesting, and long enough to hold a narrative... The new Esquire project at http://migration.stamen.com/ is great too - it's so fast, so responsive.

G: Stamen has been using a variety of JS libraries like d3.js and paper.js on projects here, but I understand you've been doing a bit of research around new potential tools we could be using. What have you discovered?

R: I guess the main thing that everyone's talking about and trying to figure out how to use would be WebGL and specifically three.js. I am a bit of a WebGL curmudgeon, though, because it doesn't work and crashes all the time. The success rate is too low for me to be excited. It's a different way of thinking about objects, primarily built out for game rendering and environments. You build an object then color and shade it, then look at it. This isn't necessarily what I'm interested in on the web. Alien masks, shading, light sources...? Make a scene then move the camera around?

I'm more excited about building things that people can play with, interact with and change. Seems like you can simulate that with WebGL, but that's not what it's best at.

Sencha is another JS library that offers UI and animations and recognizes different touch events. Then you can write JS to respond to that. Finger is not longer just mouse pointer, but we can start poking at gesture support. Fun to think about websites as mobile native applications...

G: Thanks, Rachel! Holy crap, there are some braniacs around here!! Is it OK if I call you a brainiac?

R: Yes.

There are a few other things Stamen is, or has been, out and about doing:

  • Mike & Shawn have been teaching a Visualizing and Mapping Data course at the Grey Area Foundation for the Arts. This round of classes is about to finish up, but there's talk of another run if there's interest.
  • Rachel is presenting at Designers and Geeks, trying to convince you that "The Future will be made of Screens" on Thursday, February 23 at 7pm.
  • I'm headed to SxSW in March to be on a panel about "Creating an Internet of Entities" with Tyler Bell from Factual, Drew Vogel from the Sunlight Foundation and Pete Warden from Jetpack. We'll be talking about the difficulty of finding resolute entities (like, say, a person) in the ocean of data we find ourselves in, and how important it is to give these entities a place to call home if you do manage to find one. That talk is on Tuesday, March 13 at 11am. I'm also looking forward to enjoying a few Shiner Bocks and as much barbecue as any one young lady should eat.
  • Eric is sitting on the jury for the Cooper-Hewitt's National Design Awards, so will be in New York City March 12-13 (missing out on the barbecue in Austin).

In the coming weeks, I'll be reporting more from the trenches, as it were, in the form of a quick video or another interview or a screenshot and a story about some work in progress. Stay tuned!

Feb 112012
 

Last year, we were challenged by Esquire magazine to re-imagine a map of America to depict the country in a new light. That challenge has resulted in our first new work for this year: a piece called WHERE DOES THE MONEY GO? You can read Esquire's article on the project and see the other contributions.

By combining migration data from the Internal Revenue Service (IRS) with route information from MapQuest Open, we were able to show population movement alongside income flow, resulting in thousands of different images of the 48 contiguous US States, organized left to right by county-level income lost to gained.

Having just joined Stamen, this project was an excellent first crack for me for a few different reasons: 1) The project passed around the studio like a plate in a kitchen, with different people preparing different parts of the whole; 2) I was able to get a sudden, detailed look at the geography of the USA, useful given that I'm Australian! Did you know there are 3,143 counties? Or that Michigan looks like it's cut in two? 3) I witnessed some serious cartographic, javascript-y, and data massage-y dexterity, and 4) I'm finally on the inside (mwahaha!), so was able to participate in the delicious evolution of a project, watching sketches being made with data, being tossed or surviving, being refined and perfected.

To help prepare this post, I asked around the studio to uncover any insights or stories people found as they worked on the project. It's these observations that mould the shape of the end result, but often lay silent once the project goes live. This is something I hope to deliberately listen to and share in future projects at the studio, because I think it's a glimpse into the minds of the craftspeople here.

Eric was struck by how this map can show you the USA from so many different angles. Noticing that different people use different routes to travel across the country, he remarked that "if you live in one of these places where a lot of people are moving into, you're probably around people from a lot of different places, so your map of the country is really different."

As I moved the slider from one side to the other, it became obvious how migration across the country was oddly parallel to the movement of money. At each outer edge, people seem to travel further, and in the middle of the country, paths from old to new home seem shorter, and the map starts to break into more abstract archipelagos.

a loss of income of over $10 million, travel a longer distancea loss of income of over $10 million, travel a longer distance

At the mid-point, where in some cases neither income nor population shifted, the map is quiet:

Mike picked up on the fact that most of the big cities in the US - Los Angeles, Chicago, New York - are in counties that lost the most income overall. "In a way, these cities aren't really losers at all. It's more like they're the major exporters of the country." When we use language like loss or gain, it implies some kind of failure, but in this case, we're describing money movement, not necessarily the "biggest losers."

There were a couple of stories that stood out for me. Florida appears to be gaining both income and population. Of the 80 wealthiest counties on the scale (that's the top 2%), 19 of those are in Florida, and the average income per household moving there is about $53,000. The national poverty threshold for a four-person household in 2009 was $21,954. (The source for that number is this census.gov "Poverty Thresholds by Size of Family Unit: 1980 to 2009" PDF report.)

I also spotted Orleans Parish in Lousiana, where Hurricane Katrina hit so hard back in 2005, but was experiencing substantial growth in 2010, with an influx of $146 million in income, and 10,594 new souls.

All in all, a great start to an exciting year. Enjoy exploring this different America!