Jun 252012
 

"Sumer is icumen in, Lhude sing cuccu!" (Summer has come in, Loudly sing, Cuckoo!)

Harley_ms_978_f011v[1]

One of the world's most famous medieval music manuscripts, Harley 978, is now available in full online on the British Library's Digitised Manuscripts site. Written in 13th-century England, and belonging at one stage to the monks of Reading Abbey, the book in question contains the fables of Marie de France and the poems of Walter Map plus, most importantly to musicologists, the Middle English canon "Sumer is icumen in", written in square notation on a five-line red stave. The manuscript also contains medical texts and recipes and a glossary of herbs, and for that reason was included in our Harley Science Project.

"Sumer is icumen in" is found on f. 11v of Harley MS 978. Here are the lyrics in full with a translation into modern English.

 

Sumer is icumen in,
Lhude sing cuccu!
Groweþ sed and bloweþ med

And springþ þe wde nu,
Sing cuccu!
Awe bleteþ after lomb,
Lhouþ after calue cu.
Bulluc sterteþ, bucke uerteþ,
Murie sing cuccu!
Cuccu, cuccu, wel singes þu cuccu;

Ne swik þu nauer nu.
Pes:

Sing cuccu nu. Sing cuccu.
Sing cuccu. Sing cuccu nu!

 

Summer has come in,
Loudly sing, Cuckoo!
The seed grows and the meadow blooms
And the wood springs anew,
Sing, Cuckoo!
The ewe bleats after the lamb
The cow lows after the calf.
The bullock stirs, the stag farts,
Merrily sing, Cuckoo!
Cuckoo, cuckoo, well you sing, cuckoo;
Don't ever you stop now,

Sing cuckoo now. Sing, Cuckoo.
Sing Cuckoo. Sing cuckoo now!

 

Harley%20Logo3[1]

Jun 202012
 

Chord usage

Hooktheory, a system for learning to write music, analyzed 1,300 popular songs for how chords were used. The above shows chords that followed an E minor chord.

This result is striking. If you write a song in C with an E minor in it, you should probably think very hard if you want to put a chord that is anything other than an A minor chord or an F major chord. For the songs in the database, 93% of the time one of these two chords came next.

The most common chords used overall were G, F, and C.

[via Waxy]

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Apr 262012
 

Did you know that the British Library has its own e-journal, which regularly publishes articles relating to medieval and early modern manuscripts? The Electronic British Library Journal (eBLJ for short) has been in existence since 2002, and to date it's published more than 20 articles on pre-modern manuscript culture, ranging from Greek gospel-books and Anglo-Saxon prayerbooks to the collecting activities of 17th- and 18th-century antiquaries.

Harley_ms_1585_f048v
A page from an illustrated pharmacopoeial compilation, discussed in Laura Nuvoloni's article "The Harleian medical manuscripts" (London, British Library, MS Harley 1585, f. 48v).

A full list of these articles is given below. We'd like to draw your attention to two particular groups of items on a specific theme, both of which originated from projects at the British Library. In 2008 the Electronic British Library Journal published four articles by Laura Nuvoloni and others, relating to medical manuscripts in the Harley collection; and in 2011 the same journal published a further eleven articles on various aspects of the Harley collection, following a highly successful conference on the same subject.

C13345-32[1]
A page from the Splendor Solis, discussed by Jörg Völlnagel in eBLJ 11, article 8 (London, British Library, MS Harley 3469, f. 18r).

If you wish to consider writing an article for the Electronic British Library Journal, please see the notes for contributors.

Julian Harrison, The English reception of Hugh of Saint-Victor's Chronicle (2002, article 1)

Barbara Raw, A new parallel to the prayer "De tenebris" in the Book of Nunnaminster (2004, article 1)

H. R. Woudhuysen, Writing-tables and table-books (2004, article 3)

Eileen A. Joy, Thomas Smith, Humfrey Wanley, and the "little-known country" of the Cotton library (2005, article 1)

Peter Kidd, A Franciscan Bible illuminated in the style of William de Brailes (2007, article 8)

Judith Collard, Effigies ad regem Angliae and the representation of kingship in thirteenth-century English royal culture (2007, article 9)

Constant J. Mews and others, Guy of Saint-Denis and the compilation of texts about music in Harley MS 281 (2008, article 6)

Laura Nuvoloni, The Harleian medical manuscripts (2008, article 7)

Peter Murray Jones, Witnesses to medieval medical practice in the Harley collection (2008, article 8)

Klaus-Dietrich Fischer, A mirror for deaf ears? A medieval mystery (2008, article 9)

Linda Ehrsam Voigts, Complementary witnesses to Ralph Hoby's 1437 treatise on astronomical medicine (2008, article 10)

Peter Kidd, Codicological clues to the patronage of Stowe MS. 39 (2009, article 5)

Pamela Porter, A fresh look at Harley MS. 1413: "A book ... fairly written in the German or Switz language" (2009, article 10)

John Spence, A lost manuscript of the "Rymes of [...] Randolf Erl of Chestre" (2010, article 6)

Antonia Fitzpatrick, A unique insight into the career of a Cistercian monk at the University of Oxford (2010, article 13)

Frances Harris, The Harleys as collectors (2011, article 1)

Deirdre Jackson, Humfrey Wanley and the Harley collection (2011, article 2)

Maud Pérez-Simon, Aesthetics and meaning in the images of the Roman d'Alexandre en prose (2011, article 3)

Sarah Pittaway, Visual rhetoric and Yorkist propaganda in Lydgate's Fall of Princes (2011, article 4)

Kathryn M. Rudy, Kissing images, unfurling rolls, measuring wounds, sewing badges and carrying talismans (2011, article 5)

Hanno Wijsman, Good morals for a couple at the Burgundian court (2011, article 6)

Anne D. Hedeman, Advising France through the example of England (2011, article 7)

Jörg Völlnagel, Splendor Solis or Splendour of the Sun -- a German alchemical manuscript (2011, article 8)

Alison Tara Walker, The Westminster Tournament Challenge and Thomas Wriothesley's workshop (2011, article 9)

Catherine Yvard, The metamorphoses of a late fifteenth-century Psalter (2011, article 10)

Francesca Manzari, Harley MS. 2979 and the Books of Hours produced in Avignon by the workshop of Jean de Toulouse (2011, article 11)

Mika Takiguchi, Some Greek Gospel manuscripts in the British Library (2011, article 13) 

Apr 072012
 

Conducting demystified by NYT

The New York Times, in collaboration with the New York University Movement Lab, explains music conducting in this beautifully produced video. It's part interview with Alan Gilbert, music director of the New York Philharmonic, and part rendering of motion capture data, which represents Gilbert's conducting.

To capture the data, the Movement Lab installed high-speed motion capture cameras, and Gilbert put on one of those funny-looking suits with the sensor balls on them. He conducted, and they recorded his body and his hands.

Fantasia will probably come to mind as you watch, specifically towards the end when only conducting trails and sensor spots are left to dance on the screen.

Feb 212012
 

Dear scholars,

I hope everyone is off to a great new(ish) academic term!  I have not been as active on my HASTAC blog as I have wanted to be, but I am in the process of preparing a piece on Nokia's now perished alternate vision of tablet computing as well as a multipart work outlining a new approach to writing the history of computer programs.

read more

Feb 032012
 

The-sixteen-411x195
We are very pleased to tell all our readers about an upcoming special concert by the noted choral ensemble The Sixteen, who will perform at the British Library on 10 February. The Sixteen, led by their conductor and founder Harry Christophers, have been recording and performing worldwide for more than thirty-two years, and they are particularly noted for their interpretations of early English polyphony and other masterpieces of the medieval and Renaissance periods. 

The event on 10 February will include the opportunity for an after-hours visit to our exhibition Royal Manuscripts: The Genius of Illumination, which has inspired The Sixteen's new CD, 'The Genius of Illumination.'  Following this, the ensemble will present a programme of late medieval music entitled 'Musical Illuminations', which will include pieces by William Cornysh, Robert Davy, and even King Henry VIII himself.  A download of the full programme, including texts and translations, is available here.

This concert has unfortunately already sold out, but those who are unable to come to the performance can buy the CD in the British Library shop or online here.

Those who are fortunate enough to have tickets should be aware that the concert will be held in the Entrance Hall of the British Library (rather than the Conference Centre, where events are usually  hosted).  This will be an unseated performance; doors will open at 19.30 and time will be allowed to visit the Royal exhibition.  The Sixteen will perform from 20.30 until 21.20. 

On a related note, there are only about 6 weeks remaining to see the exhibition Royal Manuscripts: The Genius of Illumination, which will close on 11 March.  Last weekend saw record numbers of visitors, and we expect it to be even busier in the final days, so please plan your visit accordingly!

You can also now follow us on Twitter:  @blmedieval

Sound & Music

 culture, music, sound  Comments Off
Jan 282012
 
Interested in Sound, Music & Technology? This group will feature blogs, CFPs and more.

Bring in the Noise! This is a group for anyone interested in Sound & Music & Noise.

In 2011 a group of HASTAC Scholars hosted a terrific forum called: FEEL THE NOISE: Sound, Music & Technology. 

Since then, we've been excited to see new members joining, and posting their research on similar topics. 

 - you can send your blog to this group, along with other groups (e.g. Scholars *and* Sound groups).

read more

 Posted by on January 28, 2012
Jan 232012
 

Scrobbles

Anyone who uses a social music service like Rdio or last.fm has probably noticed an album's sudden rise in popularity after certain events. For example, when Amy Winehouse died, her album received exponentially more plays than usual. Other times the increase in plays for a certain artist is simple, like the release of a new album. Last.fm takes a look at these patterns in 2011 through the lens of scrobbles, which is basically how last.fm users log what they're listening to.

Download the data here [zip file] and have a go yourself.

[Last.fm | Thanks, @dwtkns]