Apr 252013
 

I want to develop an app that makes it difficult to move through the historically ‘thick’ places – think Zombie Run, but with a lot of noise when you are in a place that is historically dense with information. I want to ‘visualize’ history, but not bother with the usual ‘augmented reality’ malarky where we hold up a screen in front of our face. I want to hear the thickness, the discords, of history. I want to be arrested by the noise, and to stop still in my tracks, be forced to take my headphones off, and to really pay attention to my surroundings.

So here’s how that might work.

1. Find wikipedia articles about the place where you’re at. Happily, inkdroid.org has some code that does that, called ‘Ici’. Here’s the output from that for my office (on the Carleton campus):

http://inkdroid.org/ici/#lat=45.382&lon=-75.6984

2. I copied that page (so not the full wikipedia articles, just the opening bits displayed by Ici). Convert these wikipedia snippets into numbers. Let A=1, B=2, and so on. This site will do that:

http://rumkin.com/tools/cipher/numbers.php

3. Replace dashes with commas. Convert those numbers into music. Musical Algorithmns is your friend for that. I used the default settings, though I sped it up to 220 beats per minute. Listen for yourself here. There are a lot of wikipedia articles about the places around here; presumably if I did this on, say, my home village, the resulting music would be much less complex, sparse, quiet, slow. So if we increased the granularity, you’d start to get an acoustic soundscape of quiet/loud, pleasant/harsh sounds as you moved through space – a cost surface, a slope. Would it push you from the noisy areas to the quiet? Would you discover places you hadn’t known about? Would the quiet places begin to fill up as people discovered them?

Right now, each wikipedia article is played in succession. What I really need to do is feed the entirety of each article through the musical algorithm, and play them all at once. And I need a way to do all this automatically, and feed it to my smartphone. Maybe by building upon this tutorial from MIT’s App Inventor. Perhaps there’s someone out there who’d enjoy the challenge?

I mooted all this at the NCPH THATCamp last week – which prompted a great discussion about haptics, other ways of engaging the senses, for communicating public history. I hope to play at this over the summer, but it’s looking to be a very long summer of writing new courses, applying for tenure, y’know, stuff like that.


 Posted by on April 25, 2013
Oct 192012
 

First of all, I’m really excited to be a part of the 2013 HASTAC Scholars class—something which wouldn’t have been possible without Fiona’s willingness to help and be flexible as deadlines came and passed while I worked on securing funding. Kudos to her for excellent “nerd herding,” as she appropriately puts it.

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Sep 042012
 

The SoundBox Project wants to make it possible for scholars to use sound more creatively and intuitively in digital scholarship. We are a collaboration among doctoral students at Duke University, funded by the PhD Lab in Digital Knowledge. We are excited to share this project with the HASTAC community because we look forward to connecting with those of you who are using sound in your projects.

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Sound & Music

 culture, music, sound  Comments Off
Jan 282012
 
Interested in Sound, Music & Technology? This group will feature blogs, CFPs and more.

Bring in the Noise! This is a group for anyone interested in Sound & Music & Noise.

In 2011 a group of HASTAC Scholars hosted a terrific forum called: FEEL THE NOISE: Sound, Music & Technology. 

Since then, we've been excited to see new members joining, and posting their research on similar topics. 

 - you can send your blog to this group, along with other groups (e.g. Scholars *and* Sound groups).

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 Posted by on January 28, 2012
Feb 222011
 

Want to see your real dialogue as art, then visualise it as a sound wavelength.

Voice art- http://www.voiceprintsart.com/


'We offer a way to visualize our words and emotions in a permanent work of art so that it may act as a continuous reminder to us and to others of what is important. Our developed technique offers you the ability to capture your specific voice or any significant audible moment from your life. '  

Voice art- http://www.voiceprintsart.com/


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Feb 132011
 

The type of technologically-mediated, synthetic space created by artists like Lady Gaga gestures towards the possibility of inhabiting a queer futurity that transcends the constraints of reproductive time. Yet I can’t help but be suspicious of the emancipatory potential of an audiotopia that can only be accessed though consumption. Can a commodity produced in mainstream capitalist production practices and consumed within a hetero-normative culture truly provide a queer alternative? Or, to put it simply, is Lady Gaga’s music truly queer or just weird?

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